In order to rewrite Jane Eyre from
an intricate and historically accurate point of view, Bronte focuses
significantly on the crazed creole, Bertha Mason, which was portrayed in Bronte’s
novel. Rhys rewrites this character as Antoinette, an outsider to any social
group she is around. Specifically, she does not fit in with the black community
because she has white skin and she does not fit in with the white community
because she is Creole. From the beginning of the novel, it is clear that
Antoinette begins longing for the idea of safety and security. Being Creole,
Rhys portrays Antoinette as torn between pity, hatred, and desire for the black
community. Being a daughter of a cruel former slave owner and being surrounded
with former slaves, she still has a longing and desire to fit in with the black
community, as seen through her interactions with Tia. In fact, the character of
Tia comes into extreme significance when characterizing Antoinette as an
outsider in part 1 of the novel. Antoinette begins in the novel being slightly naive and believing that there is a chance that she can peacefully co-exist between
both races. Following her interactions with Tia, that begins to deteriorate.
When Tia throws a rock at Antoinette’s face, it shows that the black community
effectively does not recognize her as a part of them, nor do they want her, despite
her extreme yearning to find a sense of safety within them. When it comes to
the white community, it is clear in part 1 that while the community does not
recognize her as one of them, Antoinette does not have a desire to join them.
This is seen when she fails to recognize any traditions that Mr. Mason attempts
to help her learn. Similarly, she does not let what the white people say about
her and her mother bother her. With that being said, these things show Rhys’
characterization of Antoinette as an outsider.
The purpose of characterizing Antoinette
as such becomes clearer in the later parts of the novel. Firstly, this torn
identity that is clear in part 1 later justifies her emotional breakdown
towards the end of the novel. Unlike Said and Okonkwo in the other two novels,
Antoinette has a much larger justification for her action towards the end of
the novel – mainly due to her troubled childhood and unjust identity. Secondly,
Rhys effectively separates the character of Bertha Mason and Antoinette and
makes a character out of the silenced character in Bronte’s novel. This then
extends far beyond the characters themselves as Rhys uses Antoinette to portray
a larger community and highlight the social injustices and cultural tensions
that many Creoles faced during post-colonialism. The fact that Antoinette is an
outsider can be used to characterize Antoinette, but can also be used to extend
far beyond and be used as a social criticism.
This is a great blog post! I strongly agree with your statement on how Rhys depicts Antoinette as an outsider in order to justify her breakdown towards the end of the novel, as well as her character as Bertha in Jane Eyre. You've identified important literary elements such as Tia and the traditions Mr. Mason tries to implements. However, I think you still need some more depth to the analysis of them. Your comparison to the other novels was well integrated and you've identified Rhys purpose concisely and effectively.
ReplyDeleteGood Post:
ReplyDeleteI like how you explicitly stated why Antoinette does not fit into either backgrounds: not black because shes white, not European because she is creole.
Additionally commenting on how she differs from Said and Oknonkwo will be be useful in paper 2.
The thing that I would communicate further is how she sees her home and the security it initially provided her. This can then transition into her struggle with her hybridity.
Although overall very well written:)